maegul (he/they)@lemmy.ml to Movies and TV Shows@lemmy.filmEnglish · 1 year agoFoundation’s showrunner explains why big book adaptations start so dang slowwww.theverge.comexternal-linkmessage-square39fedilinkarrow-up145arrow-down11
arrow-up144arrow-down1external-linkFoundation’s showrunner explains why big book adaptations start so dang slowwww.theverge.commaegul (he/they)@lemmy.ml to Movies and TV Shows@lemmy.filmEnglish · 1 year agomessage-square39fedilink
minus-squareJordan Lund@lemmy.onelinkfedilinkEnglisharrow-up1·1 year agoAs soon as they went off track I was like “If you didn’t want to use the material then why did you license it in the first place?” Would be like if, I dunno, somebody wanted to make a Care Bears movie and made it about a group of mercenaries with colorfully painted body armor. I’m not going to automatically say it’s awful, it’s just not the Care Bears. ;)
minus-squareBleeping Lobster@lemmy.worldlinkfedilinkEnglisharrow-up1·1 year ago As soon as they went off track I was like “If you didn’t want to use the material then why did you license it in the first place?” How do you feel about the ‘Three Body Problem’ being produced by the Game of Thrones guys? (˵ ͡° ͜ʖ ͡°˵)
As soon as they went off track I was like “If you didn’t want to use the material then why did you license it in the first place?”
Would be like if, I dunno, somebody wanted to make a Care Bears movie and made it about a group of mercenaries with colorfully painted body armor.
I’m not going to automatically say it’s awful, it’s just not the Care Bears. ;)
How do you feel about the ‘Three Body Problem’ being produced by the Game of Thrones guys? (˵ ͡° ͜ʖ ͡°˵)