A brilliant film emerged from these skirmishes – but its core insight still takes work to unpack. For generations, a persistent myth that black families were irreparably broken by sloth and hedonism had been perpetuated by US culture. Congress’s landmark 1965 Moynihan Report, for example, blamed persistent racial inequality not on stymied economic opportunity but on the “tangle of pathologies” within the black family. Later, politicians circulated stereotypes of checked-out “crackheads” and lazy “welfare queens” to tar black women as incubators of thugs, delinquents, and “superpredators”. American History X made the bold move of shifting the spotlight away from the maligned black family and on to the sphere of the white family, where it illuminated a domestic scene that was a fertile ground for incubating racist ideas.
There was definitely a scene where they’re sitting at the dinner table and the father is railing against affirmative action because his department hired a black firefighter.
Yeah, someone’s forgetting the movie. Derek Vineyard’s dad was your classic closer white racist who had no problem dropping n-bombs at the table, and Derek was an impressionable teen at the time. And in the midst of this, his hero firefighter father is murdered, and Derek takes what can be construed as a realistic, however irrational, tack, by following his father’s words in an effort to determine why his father was murdered.