Approaching polyrhythms together with singing intervals, based on their ratios (for example 2/3 for a fifth) and discovering and experiencing that they are the same thing but at another scale, really blows my mind and makes me feel like I am poking through Alice’s mirror or neo’s matrix code.
Approaching polyrhythms together with singing intervals, based on their ratios (for example 2/3 for a fifth) and discovering and experiencing that they are the same thing but at another scale, really blows my mind and makes me feel like I am poking through Alice’s mirror or neo’s matrix code.