If everyone were doing it, it wouldn’t be piracy. It would be free, legal copying.

I just presented you with several models of how big budget movies could make money, even if everyone were freely, legally copying. You haven’t responded to that argument, you’ve merely ignored it and insisted on your original point.

While your claim is true—big budget movies, etc., need someone to pay for them—the unspoken corollary you’re implying isn’t true—that without the current economic model, no-one would pay for big budget productions, or that undermining the current model via piracy will reduce the rate at which they are funded.

The current model is: massive corporate copyright-holders can purchase the right the profit from an artistic production. They pay for its production up front. Even though we have a technology that can costlessly copy these products and very cheaply distribute them to almost everyone who wants them, the copyright holders maximise their profits by a) crippling this capacity by spend considerable money, labor and human expertise on technologies that artificially limit copying, and b) use state-supported coercion (e.g., fines, lawsuits, police, etc), to punish individuals who would circumvent these crippling technologies. To be clear, these copyright holders still make massive profits, vastly beyond what any individual they are persecuting for copyright infringement could ever dream of. Their policing of piracy is to make even greater profits.

Even though this is how big artistic productions are funded today, it is not true that in the absence of this economic model, big artistic productions would not be funded. The demand for these products would still exist, and if there’s one thing our society excels at, it’s directing capital to meet demand.

Alternative models that could fund big artistic productions:

• a centralised fund we all contribute to in proportion to our means (e.g., progressive taxation), that pays artists in proportion to how much their product is consumed (like the Spotify model, but publically administered, like TV licences)
• many small scale investors rather than corporate monoliths (like Kickstarter), whose investments are recouped by a) privileged access to get product and b) the still highly profitable cinema and dvd markets whose constraints (physical premises/media) are not compatible with free copying.
• a legislated solution that protects copyright until artists are sufficiently recompensed and then allows free distribution.

These are just some examples of the many possible alternative models for funding large art projects and deciding who should profit from them and how much. However the details aren’t nearly as important (many different models could work), as the ultimate driver: whether our actions/systems/laws enhance or undermine demand for the art.

Piracy does undermine the current (corrupt, exploitative, reprehensible) economic model but it also increases demand for the media it distributes more widely and equitably. It doesn’t, as you imply, reduce the likelihood of big budget media existing in the future, it increases the likelihood of it existing in a more fair and equitable way, that harness our ability to freely copy rather than crippling it for the benefit of the ultra-wealthy copyright-buyers.

[citation needed]

Your and his age are gonna be major variables here. Conversations and relationships work very differently at different life stages.

You sound like you’re maybe a teenager? Try asking interesting questions that require some thought to answer, but still leave room for your friend to give an easy thoughtless answer if they want to. Where do you think we’ll be in X years? What’s something you thought you wanted but as you’ve gotten okay have realised you actually don’t? What do you think we do now thar future generations will think is crazy? Listen to his answers and ask followup questions.

Personally, I’ve always been most impressed by directness, honesty, intelligence and courage.

Yeah, the point that the musicians seem to be making, from the very brief quotes he shares (I haven’t been following this independently), is about the efficacy of music boycotts as a tool for political change. You can object to a nation’s political actions and still think that performing music for your fans in that country will make things better.

The author just insists that Israeli government genocide is bad and that the ordinary citizens are complicit. I think the implicit logic must be: bad people should be punished, depriving them of music punishes them. While it might satisfy a craving to hurt the bad guys, I think it’s much harder to claim that this would help stop the genocide.

I think the musicians have a stronger case that actually performing would be more likely to change people’s minds and improve the situation. Plus the broader benefits of keeping music and art apolitical, rather than trying to make everything in life a tool for political manipulation. I’d have actually been really interested to hear some substantive arguments about those points, but was disappointed to discover that, as you say, it was just a hit piece.

Wow, what a terrible article. The author doesn’t engage with any of the substantive points Radiohead and Nick Cave are making, he just disparages them and insists on his obvious moral superiority. It’s dressed up in some, admittedly, very nice writing, but this is just childish name calling.

Still, interesting read. Thanks for sharing.

Sounds amazing. Could you provide a link or at least enough names that I can google it?

1. the whole point of statistics is to extract subtle signals from noise, if you’re getting wildly different results, the problem is you’re under-powered.

Thanks for taking the time to post these links, just letting you know you’re efforts have benefited at least one person who’s gonna enjoy reading this.

The perfect colinearity of most of the lines is very suspicious too.

Allow me to introduce: Firefox vim keybindings extensions. So many more shortcuts if you don’t need to worry about typing characters in normal mode.

A friend of mine just used it to write a script for an Amazing Race application video. It was quite good.

How the heck did it access enough source material to be able to imitate something that specific and do it well? Are we humans that predictable?

They have a pretty detailed discussion section. The main hypothesis they support, based on plenty of other evidence, is that these drugs increase appetite. They motivate you to eat more calories, even though they contain fewer calories themselves.

What!? That makes no sense.

They saw an association between sweetener intake and change in fat over 25 years. Not relative to the population, relative to their past selves. How would a weight loss tool increasing your body fat over 25 years be obvious?

Fair enough, but that still doesn’t address the problem for people who do want to be on a large server—full of many people who share their cat meme interests—and see mostly high quality content.

Wanting to be in a forum with thousands or millions of other enthusiasts is a legitimate use case for this kind of social media platform. In that use case, I don’t know of any other way but voting to efficiently filter low quality content. “Just leave” avoids the problem rather than solving it, by denying people the opportunity to do the thing that most people go to Reddit for: to be part of huge communities and just see the good threads and comments.

Interesting perspective. Thanks for genuinely engaging, by the way.

I worry that the mechanisms you describe might not work as the number of users gets large. Check out “Eternal September” if you don’t know about it already. Niche forums might be able to run like that just because they will never have too many members. For forums which many people are interested in (e.g., cat memes), this might not be possible. They may need a mechanism for high-grading content.

Are you willing to accept the assumption that bad content (e.g., spam, advertising, trolling, low effort posts) is far more common than good content (I.e…, high effort posts)?

If you are, then it seems to me that your system would involve a lot more people interacting with a lot more bad content than they do good content. Down votes are a mechanism that let’s one person’s time wasted interacting with bad content reduce the probability that everyone else will have to waste their time on that content.

How do you sort the content without votes? How do you pick out the good stuff from the spam?

I have been thinking about this problem recently and believe the solution may be a new fediverse protocol/service that provides:

• Federated Emergent Topic Taxonomies

That is, a model of the relationships (e.g., is the same as, is a type of, is related to, etc) between different communities (/groups/services/instances, etc.) that emerges from the way that users/servers interact with them, that different servers can maintain independently and merge or split by consensus if they choose. Then other services (like Lemmy instances or clients) can tap into this information to provide solutions to problems like the one you describe (e.g., a feed of all the photography communities, regardless of which instance they’re on).

I think there are several big conceptual and technical challenges to implementing this. I’m keen to discuss them.

Does anyone know where I would go to discuss this with the people who care, have struggled with developing new fediverse protocols and/or are best positioned to spot the flaws and possiblities in the idea? So far I see mostly w3c working groups taking behind closed doors.

“New lab rule: no Ph.D. defences in poetry form.”

Still passed and had a grand old time.