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Cake day: July 22nd, 2023

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  • There’s some reckless recommendations to try psychedelics in here; be cautious with things classified under that name, because there are some VERY nasty chemicals getting pumped out by mafia chemists (some of whom work for large pharma corporations) and pushed under the name of relatively benign substances.

    So first off, be sure you know what chemical is actually in the specific pill/blotter/tab you are considering eating.

    Second, once you know what you’re dealing with, understand the cautions and protocols involved in using that particular one. I won’t start rattling them off, the information is out there.

    That being said, a gram of mushrooms is safe for nearly everyone of normal adult physiology, and it’s pretty easy to tell if you’re looking at and gagging on mushrooms.

    I was severely depressed at one point a couple decades ago and a chocolate containing a couple grams of mushrooms at a Folk Festival pulled me out of it for a good while and filled my head with thoughts of what was possible rather than what was not.

    If you don’t smoke weed, try smoking some weed, if it’s safe to do where you are. It’s more of a momentary thing and if you don’t like it, most folks can handle waiting it out. This video is perfect for that situation, IMO. It can definitely be a heavy thing if you go too far too soon, but you’ll come back fine with a story to tell, or to never tell.

    The more general proposition, which is that these chemicals can kinda shake you loose mentally, is true, but whether that is a good or a bad thing depends on who you are, how in control and confident you feel about life and the world, your immediate environment when you are on them (many end up taking these drugs at noisy parties full of drunkards, which are not the best places to be tripping balls), and many other factors.

    For instance, your talk of the adult mask vs the child you cannot find might be exactly what’s happening, or it might be words you’ve put on some other mental block or bit of cognitive dissonance which you do not yourself understand yet. If that were the case, it would be quite possible for a dose of psychedelics to cause your mind to completely drop the veil of delusion, and cause you to look at that reality in the flash of a moment, with no time to mentally prepare for it, and that can be a terrifying experience for some, when reality intrudes on something that they didn’t realize was foundational to their understand of the world, and vulnerable in that way.

    The long term effects of such an experience can likewise be very good, very bad, or completely neutral. We all have these masses of jelly inside our skulls and actually we are those masses of jelly.












  • People can help you, but there is a way to ask, and learning how to ask is part of learning the OS. We are fascinated by problems actually.

    The problem is that people come and say things like “I tried to setup a fleegbat server and it doesn’t work!” and so for the helper it becomes a process of pulling the information out of the asker in a long and painful process of interaction and we just move on. Users who say things like “here is the error message I’m getting when I try to start up my fleegbo server, anyone understand this?” get way better help.

    Those who really want to learn it come to understand these things, those who just want to do something neat and not work their ass off will complain that it’s too hard.

    Those who do the work are rewarded in many ways. I drove a dump truck ten years ago, now I make twice what I used to, working with people who aren’t racist sacks of shit. They were my motivator to learn, I was tired of being among pigs every day.


  • JTode@lemmy.worldtoSelfhosted@lemmy.worldIt's Hard to Stay Motivated
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    1 year ago

    I will be one of many saying this: if you want to self-host you need to learn Linux. It can be done, but this is not like taking a pottery class and you don’t really get to show anyone, the only people who will understand are people who are also able to do what you do. It’s rewarding on many levels, but pleasure and sociality are not among those rewards. :>


  • It’s mostly about using every last one of the cpu cycles efficiently, which is old school think from the days when 640k was supposed to be enough for anyone. When I was a wee tyke in the 8bit era we had machines that did graphics, but they were for launching games from a terminal/console.

    There are many servers with GUIs, primarily Windows servers, and there’s probably web or GUI interfaces available for every useful service you can run which will be handy in some contexts, but there’s a kind of speed and simplicity you can get with a good console that no gui can touch. Hard to explain unless you’ve done some work.






  • GenX here. Spotify came long after my youth. It came during my regression into second childhood.

    TLDR: You don’t need a spotify/tidal/whatever, a personally curated collection of music is awesome and not being able to instantly play anything is not a death sentence. It can make things more fun by introducing things like anticipation.

    I was once a music-obsessed child whose only access to most music was the random chance of hearing it on the radio. There were a few magical tunes that I wasn’t sure what album they were from or even who it was that would sometimes come in from the universe and give me a lift.

    Then my mom got me a Woolco stereo for a birthday, 6th or 7th I think, and I now had the incredible ability to buy a 45 for a small amount of money - my allowance covered at least one, I remember, with money leftover for a large stash of candy to last out the week - and be able to hear any (one) song I wanted, anytime (that I was near my stereo). At used record stores I could get whole albums.

    At some point I discovered that some record stores (I’m talking mall record stores in Saskatoon here, not hipster record shops on the lower east side) had a sort of 45 backlog, a section of older hit records you could still order, with a book you could look through for titles. Back then, it was understood that sometimes one hit tune was all an act was ever gonna have, and there was not a need to shove 9 remixes down your throat as an excuse to pump you for the price of an LP.

    When you bought an LP, you got this 12" square of cover with it, big enough for detailed photos of the band, or lyrics, sometimes you’d even get a gatefold sleeve (so four broadsides instead of just two in full color, occasionally they would do this even without a second LP being included). Sometimes even high concept stuff, like Styx’s “Kilroy Was Here” in the mid-80s, a concept album which featured still shots and narrative segments of a 20-minute movie the band had shot of the Science Fiction storyline, which was a response to the various shenanigans of the political establishment of the time. These included the Satanic Panic, which has been thoroughly explored in podcasts in recent years, along with Tipper Gore’s P.M.R.C., which started with she heard Prince do Darling Nikki and by the end had elevated Frank Zappa, Dee Snider and John Denver as an unlikely triumvirate of free expression champions who spoke eloquently and with no uncertainty as to their message against this nascent fascism, and which I believe was the real reason Al Gore lost his election.

    Anyone who loves music or freedom remembered.

    Anyways I remember on many boring car rides where all I got was, you know, Aerosmith for the billionth time, that I wished there was a kind of car radio that you could just tune in by artist name and song and it would just play anything. As I saw it, we had telephones that I could talk to our relatives in other places with, why couldn’t I just tell the radio station what song to play electronically as well?

    And about forty years later, we did indeed have that. More or less. All we had to do was murder the idea of music as art that is worth paying the artists for. We can quibble over rates and such, say this streamer only shaves the skin down to a few quivering nerve endings whereas Spotify skins the artist alive, but we all know that flogging the artist until they have no skin left is not the way to produce great art.

    So I got off. I’ve started to collect up my old physical collections as flac files, which my phone has plenty of room for. I make playlists like I used to make mix tapes to entertain myself on my drives.

    Now in my case I can point to having spent about $20 in 90s-00s money on most of the albums I’ve amassed so I just put it together how i could. I bought LPs, I bought cassettes, I bought CDs and I even bought some itunes downloads, and in many cases I did it twice for the same record over the years. In other cases I never bought the record, sure. Some of those allowance weeks I bought blank tapes instead of 45s OR LPs.

    But basically, pick the artists you actually like who are working and signaling that they need help, and make a point of sending them some money. Buy a shirt, buy a physical media, LPs are still a lot of fun but pretty pricey. But just, take your music into your hands and your hard drive. Don’t stream anything. Carry it with you. Figure out how much space you’ve got on your phone, or get an SD card for it. Phone doesn’t have an SD card? You picked a bad company to buy from I guess, cause now you’ve started to play the game of triaging.

    In the 80s, if I was going out of town for the weekend to camp or whatever, I had to decide how much collection to carry with me. Do I just bring a few mixtapes? Do I bring a box of tapes to cover every musical necessity? Do (gasp) just listen to the radio? It was a whole part of your packing, deciding what music to have at the ready and what to not be able to play if you don’t think of it now. It was a game you played with yourself. Later on it was burnt CDs, then CDs full of MP3s when the stereos got smart enough. But same game, until Spotify “solved the problem” by just making everything available everywhere, at a price you won’t believe (because someone’s been skinned to get that price, and it wasn’t the scumbags at the head office, I assure you).

    Get off the streaming. Take your music into your hands. Build a collection of your favorite music and cherish it. Support artists directly. Stop pretending that paying for a streaming service is doing anything but murdering music as art and making you lazy in the soul.