Good to know that none of the FAA part 107 rules apply to government employees wasting $75,000 in local resources (paid by local taxes) and frivolously endangering everyone using the public right of way so they can protect a couple hundred dollars or less of property for pro bono for a multi billion dollar global corporation.

Don’t sleep on that toothache if it is due to an infection. Tooth infections can kind of fast track to the sinuses and then the brain and go real bad real quick. Also there’s the pain. I don’t know how you can survive with that pain AND a tiny human. Probably best not to die on them because of a dumb thing like a toothache.

Maybe, but the insurance companies that would normally pay the insanely marked up price do care and will arbitrarily choose the option (of paying the bill or billing you) that profits them the most. The plan was always to kill poor people in every little bureaucratic way possible.

People in here looking for less evil alternatives to Spotify and you suggest Clear Channel, the company that killed local radio broadcasting and enshittified the airwaves long ago?

I guess they couldn’t get it suspended long enough to get a measurement from the crane itself?

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

This is garbage. What are you on about? It is art as an affection. Style as an algorithm. It’s got no sense of balance or intent. It looks like what it is, a copy that doesn’t actually understand what made the original great.

Maybe, but they’re paying attention to the task of scanning items, running the register, and the customer at the front of the line. I don’t really think it’s reasonable to expect them to keep an eye on that moving target as well. I’ve seen the very thing happen: Loading my stuff on to the belt, trying to leave a space because there is no divider available, the cashier is busy concentrating on the other things they are doing and the customer in front of them (not me and my stuff), they grab the last item of the other person’s stuff, scan it and bag it, turn back to check for more stuff (by this time and while the cashier’s back is turned the void I’d left is gone because the belt doesn’t stop advancing until a divider or product blocks the sensor). They may not ever see a gap (only the next item to be scanned).

There’s no perfect solution here, but I don’t see any reason to heap any more responsibility or blame on to an overworked, underpaid, daily abused retail worker just trying to stay sane in one of the most soul crushing and mind-numbingly repetitive jobs I’ve ever known.

The belts usually move forward automatically, eliminating any space left intentionally between two groups of things on it once the first group has been removed from the belt.

The nostalgia is the point. Nobody stores crackers in barrels anymore, but everybody did then because it was the best option at the time. Same reason the save icon is a floppy disk.

I’d ask a couple thousand people to guess in private. So the most popular answer would probably be either surprisingly close to correct or Cuppy McHazelnutface.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

Conservatives really like the recycling myth because it puts the onus of waste on the individual consumer instead of the corporations actually producing the waste.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

Properly designed speed tables should be able to be safety traversed at speed. Speed bumps force you to slow down to under the speed limit, sometimes far under, in order to traverse safely. That said, I’ve seen many many many more examples of things like: speed bumps with signs for speed tables, poorly designed humps that are neither speed bumps nor speed table, poorly designed speed bumps that are dangerous at practically any speed, or speed bumps without proper warning signs or paint to warn drivers, speed bumps in parking lots that just encourage people to drive wrecklessly around them. The absolute worst are those bolt-on DIY atrocities. Really, I’ve only ever seen properly designed speed tables in the richest of neighborhoods. All the other HOAs and towns seem to think they can get away with just hiring an asphalt guy or sending out a road maintenance crew to throw a speed bump and some paint down without any kind of survey, design, or traffic study.

Yeah, dude’s just making shit up or regurgitating an ai hallucination. Orange tiger stripes aren’t blending in with orange dirt either. The herbivores that are a tiger’s prey are reg/green colorblind, which means the orange tiger blends in with the green grasses because the animals can’t distinguish between those colors well.

The rest of the comment isn’t much better. From claiming that a ghillie suit isn’t camouflage (it is). To claiming that a solid color is better camouflage than a camouflage with a decent disruptive pattern. There is good camo and bad camo out there, but Nuxcom_90penis doesn’t seem like the type to see subtly in anything. That’s why I’m up voting you and agreeing with your sentiment here instead of kicking that toxic hornet’s nest.